你们知道为什么过了这么久才发布吗？因为它根本没做完。2019 年我构思的版本，大部分文件都丢了，包括声码器的原始录音。我本想把整首歌从头到尾重制一遍，免得听起来太糟糕，但他一直威胁施压，逼我保留原样，只做些新的混音和完整的开头/结尾。后来发布的《Lost In The Code》版本就是这么来的，它本应是最终成品。按理说，没人该听到那个粗糙的片段，一切都太仓促、太混乱——因为他就想靠这个在网上博眼球。他还打算等《Digital Girl》爆火、“火遍全网”后，以我的“策划人/经纪人”自居，把所有功劳都揽在自己身上。
Realistically, I didn't expect there to be such a reaction like this. Digital Girl is an older project of mine that was never finished, and someone I know in person heard it while I was playing old demos for them. They said to drop everything I was doing and finish that. They were already familiar with lostwave since they knew about my Come Back remix, so the idea formed in their head to make a fake lostwave with this song. I didn't really care for DG. Like I said, it was a scrapped project from like 2019 when I first got my Digitech Talker and started making vocoder songs with it. So, I said sure. I didn't think much would come from it. The song wasn't all that special nor crazy like Fond My Mind or EKT. My task was to handle the audio stuff, and they would handle the story. I am shit with coming up with that stuff, so I just let them do their thing. I didn't have access to any of those accounts (all I had was an old instagram that I ended up using later when I changed the user to emails once I got fed up and wanted to release it on my own terms). Do you know why it took so long to release? Because it was never finished. The concept I made in 2019 and most of those files are lost, including the original recordings of the vocoder. I wanted to remake the entire song from beginning to end so it wouldn't be so dogshit, but they kept pressuring me with threats and made me keep it as is, with some new mixing and a proper intro/outro. This is why the "Lost In The Code" version came out. It was what was SUPPOSED to be the final. No one was supposed to hear that crappy snippet in the first place. Everything was rushed and messy because they wanted internet clout. They wanted to come out as my "curator/manager" and take credit for everything once Digital Girl blew up and was "everywhere." But that never happened. They rushed it, made up the worst possible bullshit stories, and when it backfired, left me to do damage control and handle it. Now suddenly I have access to all the accounts and I was "the only person behind this". Why didn't I just say this on stream? Because they were there with me. Every day was a living hell for me. They were too invested in this whole thing and would camp outside my house waiting for me to come out. I spent almost $1k in studio time and equipment because I just wanted the mix to at least sound decent before I released the demo (which everyone ended up hating, so that's an L I'm taking). But anyway, I have since then moved far away and cut all contact. I've also been taking legal action for the last few months and getting my stuff back (There's a lot more behind the scenes you guys don't know about, that I won't bother talking about since it's more serious and it's personal). Now that everything is pretty much resolved, I can come out and explain the entire situation without fear of them showing up and doing something. Whether people believe it or not, I don't care anymore. Y'all have been lied to beyond belief, so I dont blame the people who say this is bullshit. I continued emails because I had a chance to release music that I was always shy about to an audience who actually enjoyed it. I absolutely despise being in the spotlight, which is why I never bothered to promote any of my last projects or aliases. I always made music for myself and for fun. Publicity was never it for me. Telling people to get a job is my way of telling people who are obsessed with finding every little thing about me to fuck off and do something valuable with their time instead of worrying about some dude making music on the internet. It really is kinda funny how serious some people take this whole situation. Nothing was lost but some people's time. At the end of the day, yall still got to hear the song, even if it was just a hoax story. Getting death threats and doxxing attempts made on me when I didn't have much to do with the bs story has just been annoying, so that's why I just jokingly clap back at trolls. Posts on here calling for my public execution and overly paranoid posts saying I have more alts on here to make myself look good. Lol, I dont have the time nor the care to do that. I have a ton of stuff going on outside of the internet, so making fake accounts to give myself a good rep is silly. Also, something about me faking suicide or roleplaying as a dead guy? I made that BigYouAre account when I was like 13. Everyone thought the entire thing was an ARG. I had no idea there was a guy behind it who actually committed suicide. I only used that account because it was an existing account with karma that previously commented on the lostwave sub, meaning my posts wouldn't get taken down (I think they did anyways). For the people who were genuinely upset about being sent on a goose chase, I truly do apologize. It wasn't fair to have your time wasted, I get that. There's so much to this that I can't speak about atm due to legal reasons, but I hope this clears up most of the questions people had. I'm not asking for forgiveness or for anyone to feel bad for me. My situation has been dealt with, and I'm doing just fine. I don't worry about online stuff either, so the hate can keep coming, that's okay. I just wanted to at least explain wtf went on and why there are so many holes, even for a hoax story. I just hope people move tf on from this, it's not that deep. It's just a song at the end of the day. There's no need to be so fixated on it. I'm going to keep doing my thing IRL and release the original mix and whatnot once everything is ready.”
歌词
Dig-, dig-, in a digital land, she's trapped pixel by pixel
Digital girl, longing for something real
Beneath the glowing screen, her heart's in a swirl
